2015, Deneysel / Experimental, HD, 9’51’’
Yönetmen / Director: Serdar Yılmaz
Oyuncular / Cast: Mihran Tomasyan, Uluç Ali, Reyhan Şahin
Görüntü Yönetmeni / Director of Photography: Meryem Yavuz
...steps down with a string bag and then, walks away carrying the stairs on her back. Stairs; a piece of urban furniture. They provide accessibility and transition. They function like bridges which are bonding private spaces with public ones, … like spatial extensions providing connectivity.
This woman uses the stairs like a bridge, akin to the mobile bridges which protected the castles in the middle-ages. Instead of an irremovable structure which would invite strangers into the safety of her house, she uses a personalized, mobile structure that would function like a key. Another feature of this mobile stairs is to enable intervention to spaces. It is adaptable to any space. Put it down, climb on it and you will achieve a fresh point-of-view. It provides a new look, a new perspective and power to control space.
*“She carried on carelessly, up and down. It didn’t matter where…” Georg Bushner
2009, Deneysel / Experimental, HD, 12’48’’
Yönetmen / Director: Serdar Yılmaz
Oyuncular / Cast: Selen Uçer
Görüntü Yönetmeni / Director of Photography: Meryem Yavuz, Sanat Ekibi: Elif Öner, Nadide Argun, Zeynep Demircan, Kurgu: Sedat Yılmaz, Ses: Furkan Atlı
In a family made up of a grandmother, daughter and a 9 year old granddaughter, granddaughter is forced to eat. The moral supporter of this little girl who feels contented about her games and within her own world, is a man behind the curtain only visible to her and no one has any clue whether this man is real or imaginary.
While the Fried Chicken is a monstrous and aversive thing for the little girl, it turns in to a four - meter -long avant-garde object that is pulled over by the (same) man behind the curtain under cheers in an isolated corner (street) populated by the homeless. Big fried chicken has social dynamic.
Civilization is, the some of ways of lives showing identical sides in a society, social reflexes, beliefs, ideological and artistic events; shortly organization styles. Reactions; which person gives his/her own or with conscious, or completely by chance, are some the main points to understand and to give a meaning for society's structure.
Last part of the movie is structured in order to understand the dynamics of Salazar's 3F's (fado-football-fatima) trilogy, understand the reactions of the individuals to actions and thinking about the reasons in Turkey, especially after 80's, the cheer culture within the raise of liberal politics and with big supplement of communication devices' development.
2011, Deneysel / Experimental, HD
Written and Directed by / Yazan ve Yöneten: Serdar Yılmaz
Oyuncular / Cast: Güler Ökten, Burak Tamdoğan, Selen Uçer, Mina Trabzon
Görüntü Yönetmeni / Director of Photography: Meryem Yavuz, Kurgu / Editing: Çiçek Kahraman
Sanat Departmanı / Art Department: Nadide Argun, Elif Öner, Barış Yıkılmaz, Aslı Dadak, Serdar Yılmaz, Caner Çokbulan, Murat Öner
Yardımcı Yönetmen / 1st AD: Cem Öztüfekçi, Kostüm / Wardrobe: Seda Yılmaz
Işık Şefi / Gaffer: Sezgin Keriş, Set Fotoğrafları / Backstage Photography: Zeka Sağlam
Renk Düzeltme / Colour Correction: Cengiz Çilek, Ses Miksajı / Sound Mix: Cenker Kökten
1. Kamera Asistanı / 1st AC: Osman Yılmaz, 2. Kamera Asistanı / 2st AC: Kerem Arıca
Set Amiri / Grip: Hasan Avcı, Işık Asistanı / Best Boy: Okan Aktaş
Saç ve Makyaj: Gülhan Konuk, Ses Teknisyeni: İsa Tepe
Cast Ajansı / Casting Agent: Artiz Bekçisi, Ayten Özcan
Yardımcı Oyuncular / Extras: Şükrü Dengi, Zeki Yetişkol, Cem Öztüfekçi, Hüseyin Kavruk, Aslı Dadak, Sait Kaya, Sedat Develik, Süleyman Koç, Nurdan Taş, Nadide Argun, Reyhan Şenözlü, Murat Öner